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The Digital Photography Review Newsletter The most popular weekly photography newsletter, with over 400,000 subscribers Wednesday, August 25, 2021 | |||||||||||||||||||||||
Hello and welcome to the 875th DPReview newsletter! This week we've been getting up close and personal with Canon's new RF 14-35mm F4 L IS USM (look out for a gallery of samples very soon) and we've also refreshed our collection of images from the Pentax K-3 III ahead of the imminent publication of our full review. Meanwhile, Chris and Jordan have been taking a close look at today's crop of shoulder bags, to find out which one best meets their needs, and Roger Cicala has been going back in time to the dawn of photography. Thanks for reading! Barney Hands-on with the Canon RF 14-35mm F4 L IS USM Canon's RF 14-35mm F4 L IS USM is billed as a more affordable, lightweight alternative to the flagship wide-angle zoom for RF mount, the RF 15-35mm F2.8. Click through this article for a closer look at its features, specifications and handling qualities. Learn more about the Canon RF 14-35mm F4 L IS USM The DPReview TV camera shoulder bag roundup extravaganza Chris and Jordan review six popular camera shoulder bags, including models from Peak Design, Lowepro, Think Tank, Wotancraft, Vanguard and Manfrotto. Find out what they like about each, and which ones they picked for their own use. Watch the latest episode of DPRTV Updated: Pentax K-3 Mark III sample gallery As we work towards our full review of the Pentax K-3 Mark III in the next few days, we've updated our previously-published gallery of sample images, including both out-of-camera JPEGs and converted Raw files. Click through to take a look! Check out our updated gallery of sample images from the Pentax K-3 III Roger Cicala: Imaging Before Photography, Part III -- The Showman and the Sheriff Roger Cicala promised the history of photography was filled with hysteria, theft, cheating, back-stabbing, cattle stampeding and all manner of drama. Part III doesn't quite get there, but it sure foreshadows what's coming. To paraphrase Churchill, this is the end of the beginning. | |||||||||||||||||||||||
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You received this email because you subscribed to the Digital Photography Review (dpreview.com) weekly newsletter. To unsubscribe, visit the newsletter homepage (http://www.dpreview.com/newsletter), enter your email address into the Your email address box, then click on Unsubscribe. © 2021 dpreview.com Digital Photography Review, all rights reserved. DPReview, 428 Westlake Ave N, Seattle, WA 98109, USA |
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Wednesday, August 25, 2021
Digital Photography Review Newsletter: Wednesday, August 25, 2021
Thursday, August 19, 2021
Digital Photography Review Newsletter: Thursday, August 19, 2021
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The Digital Photography Review Newsletter The most popular weekly photography newsletter, with over 400,000 subscribers Thursday, August 19, 2021 | |||||||||||||||||||||||||||||||
Hello and welcome to the 875th DPReview newsletter! This week at DPReview we've been taking a detailed look at some lenses - Sony's trio of G-series primes, and the new Panasonic 25-50mm F1.7 - to see what they can do. we've also been diving into the performance and functionality differences between Adobe Lightroom Classic and Capture One 21, to see how these two arch rivals compare. Meanwhile, up in Calgary, Chris and Jordan have been investigating whether fewer, bigger pixels really does mean better low light performance. Spoiler: it's complicated. Thanks for reading! Barney Tested: Sony's trio of compact 24mm, 40mm and 50mm G prime lenses Earlier this year Sony announced a set of three compact full-frame E-mount prime lenses: the 24mm F2.8 G, the 40mm F2.5 G, and the 50mm F2.5 G. We've been taking a detailed look at their optical performance - click through to read more. Read our overview of Sony's new prime lenses Head to Head: Adobe Lightroom Classic vs Capture One 21 In this head-to-head shootout, we compare the raw import and export performance of Adobe Lightroom Classic against the increasingly popular alternative Capture One 21. Is C1 really faster? And if so, by how much? Read more about how Lightroom and Capture One 21 compare Panasonic Leica 25-50mm F1.7 ASPH field review Panasonic's Leica DG Vario-Summilux 25-50mm F1.7 ASPH is a fast zoom lens aimed at photographers and filmmakers using Micro Four Thirds camera bodies. Read our review to find out how it performs. Read our review of the Panasonic Leica 25-50mm F1.7 ASPH DPReview TV: Why lower resolution sensors are not better in low light A common belief in the camera world is that lower resolution cameras – and larger pixels – perform better in low light. In this video we illustrate why you should question that bit of conventional wisdom. | |||||||||||||||||||||||||||||||
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You received this email because you subscribed to the Digital Photography Review (dpreview.com) weekly newsletter. To unsubscribe, visit the newsletter homepage (http://www.dpreview.com/newsletter), enter your email address into the Your email address box, then click on Unsubscribe. © 2021 dpreview.com Digital Photography Review, all rights reserved. DPReview, 428 Westlake Ave N, Seattle, WA 98109, USA |