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| The Digital Photography Review Newsletter The most popular weekly photography newsletter, with over 400,000 subscribers Thursday, September 30, 2021 | ||||||||||||||||||||||||||
| Autumn is settling over Seattle, with heavy early rain making it unlikely we'll get gallery images of red and yellow maples this year. Still, we're making the most of the remaining sun as we prepare for another round of what we're hoping will be exciting product launches. This week, in amongst the usual news, we published sample galleries from the Ricoh GR IIIx and the updated Fujifilm 23m F1.4, a review of Sigma's latest sports/wildlife lens and Panasonic's updated GH5 II, and an slideshow in which Barney got rather nostalgic over the evolution of Canon's pro-level camera bodies. I hope there's something for all of you to enjoy as we try to capture fall colours in the still-occasional sun breaks. Richard Panasonic Lumix DC-GH5 II review The GH5 II is an update to one of the strongest video/stills cameras on the market. Its Four Thirds sensor allows for small camera/lens combinations with detailed footage, limited rolling shutter and very good image stabilization. We took a look at what the new, lower-priced entry in the GH range has to offer. Read our Panasonic GH5 II review
Ricoh GR IIIx sample gallery Ricoh caught us somewhat off-guard with its announcement of the GR IIIx, partly because we've got so used to GR cameras being 28mm equiv wide-angles. The 'x' is built around a 40mm equiv lens instead, making it more of an rival to Fujifilm's X100 series, as an option for documenting the world around you. As we start on our review, Dale slotted the GR IIIx into his pocket as he set off to the Washington State Fair, to start showing what it's capable of. Click to see how the GR IIIx's output looks
The 150-600mm is a sports and wildlife focused lens designed for full-frame mirrorless cameras in the E and L mounts. We took a closer look at the versatile mid-long tele zoom, and how it compares with its rivals. Click here to find out how it performs
Barney's owned and used a great many of Canon's high-end camera bodies over the years. He looks back all the way to 1986's T90 to see how the company's approach to design and ergonomics has (and, just as importantly, hasn't) changed in the intervening period. See how Canon's ergonomics have evolved
Meanwhile, focusing back on Canon's current lineup, we took a look at how the company's two highest-end RF-mount models compare. As you might expect, it's not a simple case of newer (and more expensive) being inherently better, so we dug into where the R3 and R5 each shine. Read more about how the EOS R3 and R5 compare
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